I can only speak for myself; and since
I do this full-time, I don't represent all writers, but my typical
work week is made up of six work days and one day off. On my work
days, I work about six hours, and take a half hour lunch break. The
hours I work are intense because, in many ways, they entail mandatory
creativity. Usually, there's a movie in my head and all I need to do
is transcribe it. But some days—oh those days!—there are
interruptions, crises, irritations, and the movie just isn't there.
I've had days when I felt like a clay brick, dense and heavy and
anything but creative, but I wrote. And, you know what? The feeling
of dull helplessness went away and, at the end of the day, I'd done a
good day's work.
When I wrote,
Rescued
by the Spy, (my latest release) I had trouble with the
ending. I spent an entire day on about 1,000 words. I knew what I
wanted to say; it was getting it just right that was tricky.
That's a huge outlay of time for very little progress, but it
was the ending that the story needed, and although I wasn't having a
particularly creative day, I managed to come up with the important
segment in a workmanlike way. Sometimes, a little mental muscle is
what it takes.
My last pair of novellas, Discipline
Down Under and Master of
Two, flowed like wine from a carafe. They were full panoramic
landscapes just waiting to be described. Those are the days that a
writer lives for. They're the drug of choice, by far.
Research is also part of a writer's
day. You can't write about what you don't understand. When I wrote my
most recent historical romance, The
Blackmith's Bride , I had to do extensive research on the
historical period, the geography, and the cultures involved.
Fortunately, I enjoy history and scholarly pursuits, so the research
was a pleasure. Then I had to pick and choose which tidbits to use. I
think we've all read books where the writer sort of dumps all that
research on the reader. One of the fiction writer's chores is to sort
through and use what needs to be used, rather than every
"fascinating" detail.
Even contemporary pieces require
research. For Strong, Silent Type,
I had to investigate police procedure, for example. And for Liv's
Journey, I had to study Texas geography, even though I lived
there for five years. Research can also lead to creative moments.
Marketing is a big factor in writing.
Writers of all levels have lots of marketing to do. I spend an hour
or two each day at marketing chores. Would I rather be writing
fiction? You bet! But I'd be writing only for my own consumption if I
neglected my website, blog, lists, and social media.
There is a business aspect to writing
as well. Becoming a professional writer is opening a small business.
One has to track royalties, sales and taxes, as well as preparing
manuscripts for sale, synopses for proposals and cover letters that
entice publishers.
Writers also have to be readers, and
for the majority of us, that's where the writing bug bit us. We're
inspired by what we read, so much so that we are compelled to do it
better, explore new aspects of characterization and plot, and build
new worlds. So, a chunk of any writer's day has to be spent reading.
That sounds like fun, but remember, this is critical reading and
analysis, and entertainment is only one factor.
When I've finished for the day, I close
my various documents (character profiles, setting profiles, plot
notes, and manuscript) and walk away from the computer. I don't stop
thinking about the story, and often I dream about upcoming segments,
but I don't write anything more than a scrawled note to myself.
Mandatory creativity is tiring.
So that's a day in a writer's life—my
life. Creativity, research, analysis, marketing and business are all
part of the process. Does it sound like fun or work? For me, it's fun
most of the time, and work part of the time. I can't imagine having a
better job.
Thanks for featuring my article today, Amy!
ReplyDeleteThank you for your words of wisdom, Patricia. I enjoyed your article.
ReplyDelete