In Mesopotamia, in the valley between
the Tigris and Euphrates rivers, dating back to 3700 B.C., someone
put stone to tablet and hammered out a message and we’ve been
hammering out messages ever since.
What is this love affair with the
written word? They have the power to move people and even nations.
People steal them, go to war for them, suppress them, cry over them,
and love them.
I enjoy painting with them, finding
just the right ones that transport me to another place and all in the
comfort of my overstuffed chair. The dappled sunlight in the forest,
the clashing sound of a sword striking steel, and the apprehensive
touch of the first kiss. I love them all.
I’ve had stories in my head since I
was a little girl. I can’t remember a time when I didn’t have a
damsel in distress and a knight in shining armor racing to save her.
(I’ve always thought historical romance, although I did go through
a cowboy phase when I was about eight). There were times when I
finished a book and I refused to let the characters go I loved them
so much. I continued the story.
It may have been Diana Gabaldon’s
Outlander that started me thinking how the accomplishments of
today’s women in music, sports, business and medicine, the things
we take for granted, would play out in earlier times. Claire isn’t
the damsel in distress but rather a full partner capable in the great
hall, the theater, the surgery, and even the battle field. I found
the idea so intriguing that I went off and hammer out my own tale.
The Druid Knight
series tells the story of Rebeka and Arik. She
was his witch, his warrior and his wife. He was her greatest love.
400 years couldn’t keep them apart. In my new story, Knight of
Rapture, Lord Arik has been trying
for months to find the precise spell to rescue his wife, Rebeka, but
the druid knight will soon discover that reaching her four hundred
years in the future is the easiest part of his quest.
Bran, the
dark druid, follows Arik across the centuries, tireless in his quest
for revenge. He’ll force Arik to make a choice, return to save his
beloved family and home or stay in the 21st
century and save Rebeka. He can’t save them both.
Rebeka
Tyler has no recollection of where she’s been the past five months.
On top of that, ownership of her home, Fayne Manor, is called into
question. When accidents begin to happen it looks more and more like
she is the target. Further complicating things is the strange man who
conveniently appears wherever trouble brews—watching her, perhaps
even….protecting her? Or is he a deliberate attempt to distract
her? Rebeka can only be sure of one thing—her family name and manor
have survived for over eleven centuries. She won’t let them fall…
in any century.
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